Nikon Bellows PB-4
Tags: 100mm, Cannon Bellows, canon digital, canon eos, depth of field, digital reproduction, drum scanners, extension tube, film negative, film plane, graceful lines, live photography, macro capabilities, macro photography, model pb, Nikon Bellows, nikon model, PB-4, PB4, photography styles, shallow canon 20d, slr, undefined, view camera
If you’re like me and enjoy the shallow depth of field and graceful lines of macro photography you have undoubtedly explored ways to extend your macro capabilities. My quest to improve my macro work started out as a quest to gain Tilt and Shift capabilities on my Canon Digital SLR. While that goal has remain elusive, I have improved my macro capabilities in the process. Enter the macro bellows. Similar to a large format view camera, the bellows attachment give you the ability to increase the distance between the sensor/film plane and your choice of optics. None of the lenses that I had for my camera did a particularly great job with the macro, so adding extension tube, while an option, would not be a complete solution for my dilemma. One of the primary purposes for the macro bellows was to duplicate slides. A secondary attachment to hold a slide or film negative would be mounted in front of the lens and the bellows would allow for the focusing on the image. Snap a picture, and now you have a duplicate. Keep in mind that these were popular in the days before drum scanners and other digital reproduction solutions. But with the duplicator attachment removed, the bellows opens up a whole world of larger that live photography.
Styles of Bellows
I started off my bellows journey with 50 era modified Pentax version. This was about at basic as it gets; two knobs to adjust the camera and lens position and a lock knob. Conversion to Canon EOS was simple as all I needed to get was a t-mount which is commonly used in astro photography. Mounted with a 100mm Asahi lens, I was able to capture reasonably good images and gain respectable magnification, but the overall build quality of this system was just not very good. With the weight of a Canon 20d and later a 5d, the system was just not stable enough for my liking. After several months of looking, I settled on a bellow system made by Nikon – Model pb-4. I know that some Nikon or Canon die hard is going to flame me for doing this, but I believe you should use whatever gear you need to get your images. I like Canon’s gear better, but Nikon really hit a home run with this system.
This system is well built. Strong rails and locks, geared adjustment, and the ability to tilt and Shift the lens. This was a big plus for me since this will allow you precise control over the focal plane. It did, however, require me to make a few more modifications to get it working. the first thing you need to do is find the right lens adapter. In my case, I was looking for an EOS to Nikon F mount. It really doesn’t matter what you are shooting, just make sure you can locate the correct adapter before buying the bellows. The second modification was to mount a lens. I didn’t have any F mount lenses, so I picked up a $5 Nikon body cap and drilled a hole just big enough for a nice Schneider lens that I had. this works pretty well and allows me to switch out the lens easily. For slide duplication, the 55mm micro is the recommended lens and is still available from time to time in collector shops and on Ebay.
Using the Bellows
Once you have all adapters finished, you should be able to start shooting. I don’t mess with any double cable releases that are available. These will stop down the lens at the same time you fire off a shot. I find my self moving slowly when I shoot macro work, so speed is not as important. I compose and focus wide open, stop down the lens as needed for depth of field, then take my picture. Your camera is missing a lot of info that it normally would get from the lens, but this is all manual baby. Just ignore your meter and fire off a couple test shots and review the histogram. If you are shooting film, use a handheld light meter or use your camera’s meter to get close. Remember to bracket if you use the camera’s meter since I find it off as much as tow stops at times. Conclusion So far, this is the best bellow that I’ve tried. I’m sure you could jump into the medium format space and find a better system, but for 35mm and APS size sensors, this is just fine. Pick up a cheap one and give it a try. You will be shocked at all the details you’re missing with your tubes. But don’t toss the tubes, stick them in your back packing gear. While the bellows system is flexible, it’s not light or particularly packable. Great unit for in the studio, near the car, or on the patio, but you wont want to lug it very far.





11 Comments, Comment or Ping
David Smith
Compensating for bellows extension is the same for all formats – light is light. So, you can calculate your exposure by dividing the total extension (from film plane to nodal point othe lens) SQUARED by the fcal lenngth of the lens SQUARED. For example a 105mm lens and an extension 0f 150mm works out to a factor of 2 or 1 stop. There are a a few slide ruler style calculators out there like Quickdisk that are sold to the large format photographers and Kodak has a free publication that has a compensation chart based on magnification at <> I would just like to complement you on your hands-on approach to macro equipment. – David
Mar 8th, 2009
Arne Bruun
Oh what a vandalism to put at PB-4 on a Cannon
Apr 20th, 2009
sblackb
Sad that Canon doesn’t make a respectable bellows, I know. I’m all about the shot and not the gear, but if it makes you sleep better, the adapter ring touches the camera, not the bellows.
Apr 20th, 2009
Tim
I`m going to be using a Nikon PB-6 bellows with the PS-6 slide attachment for slide duplication.
Would anyone know if it is possible to use a lens other than the 55mm Nikon macro, such as
the 60/2.8 AF macro? This lens is currently avail. in new condition from B&H.
For extreme cropping of a small portion of the slide, could something in the range of 150-200mm be used?
May 13th, 2009
Wayne
An economical and excellent style of lens for Macro work is a decent ENLARGING lens (plenty on eBay). They are corrected/designed for close work. You just need a Nikon to “T” mount and a “T” mount to Leica adaptors to make it work. Thats what I use on my PB-4. Keep the enlarging lens at about 105mm or greater focal length for decent workability…
Jun 11th, 2009
Michael
I have the PB-4 and I have used lenses ranging from 24mm to 135mm on the front standard. Any Nikon lens will fit directly on PB-4, the problem is the new G-type lenses don’t have the f-stop ring. I have used the 60mm f2.8 macro lens on the PB-4 and it worked perfectly. That is such a nice piece of glass. Of course, the magnification factor increases as you decrease the focal length of the lens. There is also a reversing ring (BR2A) available for the Nikon F-Mount which would allow you even greater magnification. Make sure you get the adapter to cover the rear element, BR3, which allows you to screw a filter on to protect the rear element. Because it is very important to protect the rear element. A scratch or mark on the rear element will effect the image. This should not be excluded.
The one down side to the PB-4 is that you don’t have enough bellows at full extension to utilize the shift or twist of the front standard.
I like the idea of the enlarger lens on the front.
I don’t see a place to put a double release on the PB-4. Macro work is slow. I set my camera up for mirror lock-up and use a delay to release the shutter when I am using a constant light source. All in an effort to reduce vibration.
Aug 16th, 2009
RainyDayInterns
Thank you for the inspiration!!!
We read the article and gave us the impetus to acquire a PB-4 for the Nikon D90 and try our hand at macro photography. The bellows definitely added a new level of versatility to the effort.
Here is an example of the setup and our first images:
http://www.rainydaymagazine.com/RDM2009/Home/August/Week4/RDMHomeAug2709.htm#MacroBellows
Sincerely,
RainyDayInterns
Aug 29th, 2009
sblackb
Glad to here that another bellows is being used in the wild.
Aug 29th, 2009
RainyDayInterns
Here are a bit more details on the PB-4:
http://www.rainydaymagazine.com/RDM2009/Home/August/Week4/RDMHomeAug2709.htm#MacroBellows
Here are some recent indoors/outdoors examples…this macro thing is addictive!!!
http://www.rainydaymagazine.com/RDM2009/Home/September/Week1/RDMHomeSep0309.htm#MacroSamples
Sincerely,
RainyDayInterns
Sep 3rd, 2009
RainyDayInterns
opps…
HERE is the more detailed look at the PB-4:
http://www.rainydaymagazine.com/RDM2009/Home/September/Week1/RDMHomeSep0209.htm#NikonPB4FirstLook
Sep 3rd, 2009
Hank Osaurus
Arne Bruun said “Oh what a vandalism to put at PB-4 on a Cannon.”
Hello Arne.
I will assume you know the difference between a Cannon and a Canon. In any case, no need to get your nose out of joint about Nikon having a best solution for a Canon.
The first Canon camera ever, back in the 1930s, was fitted with a Nikkor (Nikon) lens.
Whatever works, I say.
May 15th, 2010
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